The four-tone opera

An opera that gets by with just four notes?
Tom Johnson's four-tone opera is perhaps the most honest opera of all. Here the audience learns what the singers really think and feel. Nothing is pretended here. It's all about the singers' souls, which have unexpected depths - and pianists can be pretty cruel, by the way...

Forget Tosca (totally unrealistic!), avoid Die Zauberflöte (far too complicated!), escape Tristan und Isolde (far too boring!). Only in the four-tone opera will you see the real thing and that of five originals of the endangered species of singer, who can finally be observed uninhibitedly in their natural habitat, the opera. Let's go!